Play Your Part

Here’s the cover art from the gloriously twisted mind of Dr. Quandry for the upcoming World Around Records release Weak Stomach EP.

You can burn some time at work today getting up to snuff with the Shadowboxers catalogue over at Bandcamp or find out the meaning behind a dastardly jake who calls himself “Dr. Quandry” over at the World Around site, one of the best designed palaces I’ve left a digital footprint on.

And if that wasn’t enough, below is the flyer for our first show in Philly since housing the west coast.  It’s the kickoff show of our new monthly called Double Entendre where we (Shadowboxers + Curly Castro + Public Axis + Slingluff Gallery) select a special guest to play the gallery for the first time with us.  It’ll a monthly twin billing of eclectic styles sure to motivate, eradicate, and asphyxiate (no Michael Hutchens) all in attendance. 

This month’s special guest performer is Robin Gazzara
This month’s featured collection “Automatic Amnesia” is from Joe Castro.

I’ll have some links and pieces on both artists next week.  Go out and light a mailbox on fire this weekend, won’t you?

Artwork by Adam LaMonaca

Around the World in a Day

Today I’m formally announcing that I’ve joined World Around Records.  I feel like apprentice Kanye West in the “Through the Wire” video when he was being knighted by Sir Damon Dash of Kimsborough live on stage declaring his allegiance to the Roc-a-Fella monolithic empire that once reached the Balkan peninsula (now controlled by Amalgam Digital). 

I’ve been a disciple of Justin Boland’s Audible Hype blog for several months now and lucked out by discovering he and his partner, Dr. Quandry, not only house several strange and eclectic hip hop groups from around the globe, but they make no bones about what they are: a hybrid label of sorts where music is priority, artwork is valued, and new ideas and radical notions of releasing hip hop music in this decade are welcomed. 

I’ve been putting out records since 2006 and these are the first guys to share my train of thought about how to promote, appease diehard and casual listeners, carve out a niche in a depressingly saturated market, and how to present it all in a fashion that’s exciting.  It’s quite a thrill to speak the same language, albeit with a guy who has released music under the alias Humpasarus Jones, but then again I’ve recorded an unreleased EP under the guise El Mingo Johnsson, so we’re one in the same.

The first project we’re going to release is a joint EP of sorts called The Weak Stomach EP.  The original “Weak Stomach” off the Shadowboxers’ The Slow Twilight LP was always a personal favorite of mine, and I’d always get a great response when performing it live or playing it on computer speakers for people.  Then, I hooked up a remix for the Broken Clocks EP featuring my a-alike Curly Castro, a song that now usually closes out our live sets.  In the midst of all this, Blurry Drones and Alex Ludovico did a cover for their Winning/Losing release titled “Weaker Stomach” that made me want to kick myself for not incorporating the story Alex supplied when I wrote the original sometime in ’08.   I immediately hated him for it but realized the best revenge was to incorporate the damn thing into this release.

The Weak Stomach EP will also have a brand new posse cut from all three of us emcees called “We Got Fangs This Year”, with lyrics referencing Christna Hendricks (my next ex-wife), Hoop Dreams, Desperado, Breaking Bad, Linda Fiorentino, The Hold Steady, Bram Stoker, and more.  It’s some hip hop shit.  Small Pro is laboring on the remix now while he moves into Schooly D’s old crib and Egon Brainparts of “Dead Queens 2″ fame will construct a vastly different flip of “Weak Stomach” with vintage keyboards and mariachi records stuffed behind his washer/dryer.

I’ll also be releasing my long awaited solo project Fall Back Friday, last mentioned in ’08 on the Bring Me the Head of Zilla Rocca mixtape.  The album has been finished, oh say, a good 29 times since 2007, but you can’t rush perfection, and Degree is really PH balanced for women.  Thus far, it’s sounding like a lost case file from the Shadowboxer detective agency — similar paperwork but the in-ceiling Bose speakers are playing dub and Spanish pop and Just Blaze-esque bangers produced by myself and a gang of homies, new and old.

Anyway, it’s been a transitional year and I’m jumping like a Mexican termite with all this great music on the way to you and yours.  Thanks for sticking it out with me.  Here’s a treat from Mexicans with Guns aka the Best Music Video of 2010:

Alex Ludovico & Blurry Drones: Winning/Losing

 Alex Ludovico, who you heard on Nex Millen’s 80′s throwback remix of “Eric Lindros” off Broken Clocks EP, is a bull on Redbull in a china shop.   Listening to him get busy on Winning/Losing, whether it be atop Jay-Z’s “DOA” or any number of Dilla cuts from Donuts, is never dull.  I’m the first person to call MC’s out for being lazy for using Hov and Dilla as a crutch when it comes to sonic backdrops, and at times I wish Alex would’ve let loose on some more obscure records.  But Alex has some much energy and joy, it seems like he’s been waiting forever to spazz on tracks that have unfortunately been exploited by lesser talents for happy Usershare endings. 

 The juxtaposition between his style and Douglas Martins’ textured and careful bumps-in-the-night is pretty dang impressive.  Being as though Douglas Martin aka Blurry Drones is the Tim Burton to my Johnny Deep, it’s no shock that I’ve had this joint on repeat for over a month (unlike, say, Alice in Wonderland).  The sequencing is deft.  Outside of yours truly on “Liquid Swords Freestyle”, there are no guests. Alex unloads Chi-town drumroll flow massacres next to thoughtful and sometimes disturbing stories that need the rewind treatment to fully piece together.  My personal favorite, and I’m clearly biased, is “Weaker Stomach”.  His distorted and hectic flow reminds me of Andre 3000 on “Da Art of Storytellin’ Pt. 2″ but the real treat is where he takes the phrase “Weak Stomach”.  Honestly, I’m not smart enough to see the obvious correlation in potential concepts–my first instinct when receiving the beat titled “Weak Stomach” was Rolaids/Tums/Pepto Bismol.  Alex’s urgency and twisted spin on the Shadowboxers cut is a mark of matured songwriting and one-upsmanship that used to be so prevelant in hip hop.  I’m proud to be schooled by a young bol in the land tall blonde Polish chicks and saccharine 7th inning stretches.

Do yourself a favor and check out Alex Ludovico & Blurry Drone’s Winning/Losing over at Bandcamp.

Let Me Learn You Something: Alex Ludovico

American Aparrel.  H&M.  Urban Outfitters.  They all need to respect the architects.  Alex Ludovico and Douglas Martin not only have worked together in the past and are gearing up to release another project titled Winning/Losing, which finds Alex soundclashing with Dilla, Madlib, and Blurry Drones, but both of these fools wore rocking the flannel/tight jeans/studded belt/moccasin look in ’07.  Alex hails from Gary, Indiana, birthplace of the Jackson 5 and Glenn “Big Dog” Robinson, not exactly a trendsetting town.  And Douglas rests in Seattle, the Mecca of year round flannel.  Obviously, their common fashion interests are so ahead of the curve they’ve  kept Mosimo and the young adult section of Target bubbling.

But this ain’t the Cool Kids or a Wale write-up; there’s more to the music than the fitted hat selection.  Alex Ludovico is a hellraiser on the microphone, an endless supply of energy equal parts Pharcyde and a young Busta Rhymes.  I came across him back in ’07 via 33jones.com when he was rapping under the moniker Ill Eagle and thought, “Hmmm…this kid could be onto something.”  Re-emerging years later with a name swiped by Clockwork Orange (Cage would’ve been furious about this in 1997) and a propensity for well-honed tracks that spew classic braggadacio and honest self-reflection, there’s really no one out today that sounds like the kid in Chicago with the unironic Suicidal Tendencies t-shirt.

After Alex let me jump on “Liquid Swords” freestyle for his coming project Winning/Losing, I returned the favor by getting him involved on Nex Millen’s Broad Street Bully remix of “Eric Lindros”. My only criteria for features is that the guest brings a specific voice and style to a specific song.  Also, they need to reference one great HBO show.  Alex nailed both; his dismantling of overnight pop rappers plays into the overlying theme of “Eric Lindros” and Eric Lindros the NHLer who never met expectations, and his reference to Kenny Powers of “Eastbound and Down” not only is directly in line with the sports/rap metaphor but fucking great because Kenny Powers has an arm like a goddamn rocket and the mind of a fucking scientist.

It’s time for Alex Ludovico to Learn You Something:

1. At what point did you realize music was what you wanted to do?

I decided to do music, in the back of Physics class, 11th grade. I’d been freestyling with a bunch of my friends during lunch and I realized that this was the first time I’d spoken to over half of the kids in school. It gave me a voice and made me feel important.

2. How has Indiana, and now Chicago, shaped your sound or molded you as a MC/producer/DJ/etc?

Born and raised in Gary, IN! Gary is a violent, dirty place. It taught me to watch my back and make sure I take care of myself. I think that’s responsible for my forceful delivery. Fortunately, an advantage of Gary is that its only 30 minutes from Chicago, which is where I currently spend my life. Living there exposed me to so much I’d been longing for, like diversity and culture. Chicago turned me into the culture freak that I am today.

3. Who are the people you look up to and learn the most from?

I’ve always kept a really small circle of close friends but a massive network of good friends. (Dunno if that makes sense to anyone else, but it sounds perfect in my head.) I’ve always made it a point to try to learn from everyone I come in contact with ever. That being said, my buddy/engineer Sammy K is a good friend that musically I’ve learned quite a bit from when it comes to recording. Then my fellow music friends like Dutch, Jaret O’Neill, the Dutchmaster, Karl G, Will Seals, JT, Kenny, and a select few who’s opinions I trust above my own.

4. With everything you’ve learned thus far, what do you wish you could have told yourself at the beginning? Would you have done anything differently?

I wish I would have told myself to focus more on developing a persona instead of rushing to put out the first 12 songs I recorded. I wasn’t prepared to be releasing material and now the only time I listen to my super old material is after a night of binge drinking when inducing vomit is necessary. I also wish I would have waited, built up a name through single song releases instead of just focusing on albums. But that was a side effect of being a music junkie who’s obsessed with the concept of albums.

5.  What’s hard for you?  What do you struggle at?

I struggle with my overactive and over-analytical brain. I focus way too much on things that people don’t care about and don’t pay attention to. I wish I could put my finger on the intangibles I seem to be missing that would put me fully over the top. Also, I wish I was a little bit taller, I wish I was a baller, I wish I had a girl who looked good I would call her……

6. Here’s a scenario: tomorrow you become the CEO of a major label. What are the first 3 things you would do as the boss?

Step 1: Abolish the 360 deal. (I understand that labels need to make money too, but that thing is just the FUCKING DEVIL.)

Step 2: Figure out ways to monetize things like streaming and youtube views. (It can be done, just no one has quite figured out yet.)

Step 3: Return to the old model of putting the album out and letting it build steam as opposed to the “gimme, gimme”, “first week means everything” method of today.

7. What are some of your favorite albums?

In no particular order: Nirvana In Utero, Bloc Party Silent Alarm, Murs Murs 3:16 The 9th Edition, Dizzee Rascal Boy In Da Corner,Luomo Vocalcity, Refused The Shape of Punk to Come, Mitch Hedberg Mitch All Together, The Dismemberment Plan Change, Royce Da 5’9 Death Is Certain…..this could go on for days.

8. What is inspiring your work right now?

At this very moment, I just got into a new relationship so that’s pretty inspiring. Break-ups and hookups inspire quite a bit of what I do. I’d also have to say listening to alot of the new “up and coming” MCs is inspiring, only because it makes me come that much more polished and on point. Also, the streak of awesome weather in Midwest is really inspiring. Also, movies and television are always constant sources of inspiration because I’m a pop culture junkie of the highest order.

9. What advice would you offer to someone getting in the business at this time?

Take your time. The pool of musicians just continues to grow and grow and grow every single day. Make sure that EVERYTHING you release, you truly believe in and that it can stand up in this crowded market place.

10.  Any words to live by?

“To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment” – Ralph Waldo Emerson

***

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5 O’Clock Shadowboxers — Broken Clocks EP

Artwork by Objektiv One

Artwork by Objektiv One

Artwork by Objektiv One

 

Well..it’s been one helluva trip making this dang EP.  We literally were down to the wire, writing and mixing and mastering this bad boy, right until the last possible minute.  And it’s another piece of music Douglas and I are incredibly proud of and have been itching to share with you for quite some time now.

Unlike other follow-ups to proper albums, the Broken Clocks EP isn’t a dumping ground for all the crap we couldn’t fit on The Slow Twilight, nor is it a butterfly net to scoop up all the odds and ends that might’ve slipped through the digital cracks since last year (that would be The Twilight Spoiler Mix by Son Raw).  Some tracks will look very familiar (“Dirt Naps” and “Bottomfeeders Small Pro Remix)” but sounds have been added, subtracted, and sequenced painfully to give the EP a cohesive feel, a tough order considering we have five, count ‘em, FIVE producers of the 9 tracks compiled.

The EP is also in stark contrast to The Slow Twilight, namely for the fact that we not only remixed a bunch of songs, but the tone and feel is more open thanks to outside collaborators.  Even Douglas Martin let his stocking cap down for a minute on the original track “It’s Always 5 O’Clock Somewhere” chopping up a Fela Kuti record over a familiar break to Dilla heads worldwide.  Philly producer Nex Millen, who I’ve worked with on previous projects, got matched up with Chicago’s answer to Treach & Bootie Brown, emcee Alex Ludovico for “Eric Lindros (Broad Street Bully Remix).  Lessondary’s one-man answer to Def Jux, Elucid, brought the f*cking ruckus alongside HipNOTT Records’ resident headphone murderer Has-Lo and South Philly’s syllabic carnivore Nico the Beast on “No Resolution 2″.  Philadelphia by way of Oakland producer Egon Brainparts of the electro/hip hop/jurassic live production squad Bossasaurus came in at the zero hour with his remix to “Dead Queens” that begged for the Pharoahe Monch/Nate Dogg hook treatment via Jawnzap7 and the lovely Miss Amy.  And Curly Castro got thrown inside my vicious reworking of the live staple “Weak Stomach”.  Suddenly, “5 O’Clock Shadowboxers” wasn’t just this isolated ping pong match between two guys on separate coasts.  Everyone who contributed, from Curly Castro who christened the project with its name, to Objektiv One with the History-Channel-on-acid artwork, just wanted to do something cool because they enjoyed what Douglas and I brought forth last year.

Anyway, it’s now 12:39 am and I’ve been working on this EP since 1:30pm today to ensure its high quality.  Time for the big sleep.  And THANK YOU for giving us your time, your ears, your iPod memory space, your CDR’s, and your recommendations to others!

Stream and/or purchase the EP for $5 at the Shadowboxers Bandcamp page below

Or…

Download the EP FREE for a very limited time via usershare